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Papers appear in alphabetical order (by first author's last name)
= abstract
= full text
= additional material (audio files, etc.)
K=Keynote T=Talk P=Poster
Teachers’ music knowledge and social representations of music (P)
Anna Rita Addessi, Felice Carugati
Musical style again: A mathematical analysis of musical intertext (P)
Anna Rita Addessi, Mirko Degli Esposti, François Pachet
Confronting Jason Eckardt’s Transience (T)
Brian Alegant, Jonathan Hepfer
On the Methodology of Structural Analysis in Byzantine and Classical Western Music - A Comparison (T)
Maria Alexandru, Costas Tsougras
Tonal hierarchies in Sutartinės (T)
Rytis Ambrazevičius, Irena Wiśniewska
Improving the Work Environment for Workers of Textile Factories by Control and Harmonizing Machinery Noises (P)
Mohammad R. Azadehfar, Arash Azadeh
Musically Significant, Automatic Localisation of Note Boundaries for the Performance Analysis of Vocal Music (P)
Nicholas J Bailey, Douglas McGilvray, Graham Hair
Interactive strategies for analysing musical structure (T)
Amanda Bayley, Michael Clarke
Musical Changes from Rural to Urban: “Türkü Bars” in Popular Cultur (T)
Ş. Şehvar Beşiroğlu, Asli Kayhan
Musical structures and technologogy as transcendance in Jonathan Harvey’s music (T)
Bruno Bossis, Jonathan Harvey
Towards a trans-semiotics of rhetorical argumentation: considering the “genetic form” (P)
Liouba Bouscant, Colin Roche
Perceptual evaluation of models for music segmentation (P)
Michael J. Bruderer, Martin F. McKinney
One Voice or Many? Compound Melody & Auditory Streaming (P)
Bryony Buck, Graham B. Hair, Nicholas Bailey
Tonal’ vs ‘atonal’: Perception and tonal hierarchies (T)
Robertas Budrys, Rytis Ambrazevičius
Comparative Melodic Analysis of A Cappella Flamenco Cantes (T)
Juan J. Cabrera, Jose Miguel Díaz-Báñez, Francisco J. Escobar-Borrego, Emilia Gómez, Francisco Gómez, Joaquín Mora
Auditory Streams in Ligeti's Continuum: A theoretical and perceptual study (T)
Emilios Cambouropoulos, Costas Tsougras
Functions and images in Greek art music utilizing Byzantine echoi (T)
Kostas Chardas, Maria Alexandru
Generation, Mechanical Structure, and Intrinsic Duality of the Glarean Modes (T)
David Clampitt, Thomas Noll
The “dual” form of Igor Stravinsky’s Piano-Rag-Music: musical structure as result of a rearrangement process (T)
Angela Ida De Benedictis, Massimiliano Locanto, Leo Izzo
Iannis Xenakis’s Writing and Outside-Time Musical Structures (T)
Dimitris Exarchos, Yannis Stamos
Computer assisted statistical evaluation of chordal occurence in Mozart´s, Schubert´s and Brahm´s piano music as a contribution to the determination of individual compositional style (P)
Eva Ferková, Milan Ždimal, Peter Šidlík
Parallel Successions of Perfect Fifths in the Bach Chorales (P)
George Fitsioris, Darrell Conklin
Death and Rebirth: An Archetypal Narrative in Liszt’s B Minor Sonata (T)
George Fitsioris, Spyros J. Iliopoulos
Recognition of the melody in a polyphonic symbolic score using perceptual knowledge (T)
Anders Friberg, Sven Ahlbäck
Automatic Classification of Turkish Traditional Art Music Recordings by Arel Theory (T)
Ali C. Gedik, Barış Bozkurt
Cultural relativity vs scientific universalism: emotions, identity and the “materials” of popular music (P)
Ali C. Gedik, Cem Calli, Firat Kutluk, Timur Köse, and Gorsev Yener
Aspects of musical structure and functionality of electroacoustic media in the performance of ancient Greek tragedy – A composers’ point of view (P. Velianitis) (T)
Anastasia Georgaki, Panaghiotis Velianitis
Gothic Structures and Musical Compositions: Fiction, Criticism, and Early Romantic Music (T)
Jon-Tomas Godin, Noelle Chao
Automatic Melodic Transcription of Flamenco Singing (K)
Emilia Gómez, Jordi Bonada
Comparative Analysis of Music Recordings from Western and Non-Western Traditions by Automatic Tonal Feature Extraction and Data Mining (T)
Emilia Gómez, Perfecto Herrera
Get immersed in the structure of sound: a Schaefferian listening to overtone singing (P)
Anne-Marie Gouiffès, Francis Rousseaux, Marie-Cécile Barras
Phase-plane visualizations of gestural structure in expressive timing (T)
Maarten Grachten, Werner Goebl, Sebastian Flossmann, Gerhard Widmer
Perception of Rhythmic Similarity in Flamenco Music: Comparing Musicians and Non-Musicians (T)
Catherine Guastavino, Fabrice Marandola, Godfried Toussaint, Francisco Gómez, Rafa Absar
Rhythmic Similarity in Flamenco Music: Comparing Psychological and Mathematical Measures (T)
Catherine Guastavino, Godfried Toussaint, Francisco Gómez, Fabrice Marandola, Rafa Absar
The impossibility of absolute spatial determinations: from Luigi Nono and Salvatore Sciarrino's musical aesthetics to Giordano Bruno's innumerable worlds (P)
Francesca Guerrasio, Claudia Delle Palme
Performing Musical Structure: crux-phi perceptions in Domenico Scarlatti’s sonata K. 380 (P)
Nancy Lee Harper, José Tomás Henriques
A Survey of Melody Extraction Techniques for Music Information Retrieval (T)
Cihan Isikhan, Giyasettin Ozcan
Artificially Intelligent Accompaniment using Hidden Markov Models to Model Musical Structure (T)
Anna Jordanous, Alan Smaill
Identifying Contrapuntal Modules in Palestrina's Masses (T)
Frauke Jurgensen, Ian Knopke
Proportion in Bach's Air from the French Suite in C minor (T)
Evangelia Kikou, Vasilis Karagiannis
Constrained automatic chord alignment and detection of musical structure (T)
Ian Knopke, Eric Nichols
Contextual understanding: Mozart's K. 475 and textuality (T)
PyoungRyang Ko, Gesine Schröder, Claus-Steffen Mahnkopf, Suk-yeong Mun, Kian Geiselbrechtinger
Sound Scale: perspectives on the contribution of flute sound classification to musical structure (T)
Panayiotis Kokoras, Olivier Pasquet
Does awareness of musical structure relate to general cognitive and literacy profile in children with learning disabilities? (T)
Magdalini Krommyda, Georgios Papadelis, Katerina Chatzikallia, Konstantinos Pastiadis, Panagiotis Kardaras
Harmonic Pulsation and Serial Density (T)
Peter Kulichkin, Natalia Zubareva
Temporal Experience in Ecclesiastical Chanting: A Collaborative Approach between Music Psychology and Byzantine Musicology (T)
Eleni Lapidaki, Maria Alexandrou
Segmenting Arabic modal improvisation: Comparing listeners’ responses with computer predictions (T)
Olivier Lartillot, Mondher Ayari
Musical Brokenness, Intentionality, and the Singer-Actor: A View From the Stage (T)
Edward D. Latham, Roberta Sloan
Music as limes: preliminary concepts of the process-centered music analysis (T)
Airi Liimets, Kerri Kotta
Investigating structure of contemporary music applying tension design and empirical perception analysis (T)
Gerhard Lock, Maris Valk-Falk
Charles Gounod’s Ave Maria: textual versus performance analyses (T)
Eva Mantzourani, Tim Crawford, Stephen Cottrell
Schenkerian Reduction as Search (T)
Alan Marsden, Geraint Wiggins
Music education and digital design: an interactive approach to structure (T)
Chloe Matus, Martin Naef, Johannes Rubenz, Monika Oebelsberger, Reza Sarkamari
An Intelligent Tutoring System for Tonal Counterpoint: From Process to Structure (T)
Panayotis Mavromatis, Matthew Brown
Extracting musical structure from multi-modal performance analysis (T)
Jennifer McRitchie, Graham Hair, Nicholas J. Bailey, Stuart Pullinger
ModusXXI: An Atonal Melody Generator Based on Lars Edlund´s Modus Novus Methodology (T)
Alfonso Meave, Felipe Orduña
Audible Ecosystems and emergent sound structures in Di Scipio’s music. Music philosophy helps musical analysis (K)
Renaud Meric, Makis Solomos
Offenbach’s Les Contes d’Hoffmann as an open work (T)
Jarosław Mianowski, Elżbieta Nowicka
Sequenza VIIa and VIIb by Luciano Berio: a comparison from analytical and performance point of view (T)
Pierre Michel, Philippe Lalitte
Cognition-Based Segmentation for Music Information Retrieval Systems (T)
Justin de Nooijer, Frans Wiering, Anja Volk, Hermi J.M. Tabachneck-Schijf
Melrhythmic Structuralism, Identity and Meaning in Nigerian Contemporary Art Music Practice – A Study of “Igede-Bell” Bass Technique (P)
Onyee N. Nwankpa, Ndubuisi E. Nnamani
Searching for demarcation characteristics in traditional ad-lib compositions: A case study of Nenets songs (T)
Triinu Ojamaa, Jaan Ross
Controling Music Affective Content: A Symbolic Approach (P)
António Pedro Oliveira, Amílcar Cardoso
Musical meaning and logical inference from the perspective of Peircean pragmatism (T)
Luis Felipe Oliveira, Willem F.G. Haselager, Jônatas Manzolli, Maria Eunice Quilici Gonzalez
Beyond MIDI: Theoretical Foundations for the Voice-Instrument Digital Interface for Byzantine Music (T)
Nektarios Paris, Dionysios Politis
Intonation in a new composition in 19-tone equal temperament (T)
Richard Parncutt, Graham Hair
Understanding and representing musical structures in music courses for beginners (P)
Milena Petrović, Vera Milanković, Gordana Ačić, Nina Mihailović Subotić
Structural Gravity Centre of Mozart’s Phantasie: Segmentation, Music-Semantic Functions, and Emotional Response (T)
Tijana Popovic Mladjenovic, Blanka Bogunovic, Marija Masnikosa, Ivana Perković Radak
Musical conception, para-musical events and stage performance in Jani Christou’s Strychnine Lady (T)
Giorgos Sakallieros, Konstantinos Kyriakos
Metastaseis and Sea Nymphs as scientific educational proposals (T)
Helena Maria da Silva Santana, Rosário Santana
Parataxis: a framework of stucture analysis for instrumental folk music (T)
Haris Sarris, Tassos Kolydas, Panagiotis Tzevelekos
Musical culture / musical structure: What is the role of influence in mid-to-late 20th-century music? (T)
David Schwarz, Graham Phipps, Frank Heidlberger
Performing structure: Music, art and space (T)
Simon Shaw-Miller, David Gorton
Emergent musical structures and music as an emergence. A dialogue between musicology and composition (T)
Makis Solomos, Agostino Di Scipio
Inter-structures: a performative-philosophical re-examination of continuity in post-1945 piano repertoire (T)
Danae Stefanou, Pavlos Antoniadis
Jani Christou’s Mysterion (1966): music analysis through archetypal theatre (T)
Vicky Steiri, Göze Saner
Quantifying relationships between expressive and structural elements of music and musicians’ gestures (T)
Marc R. Thompson, Geoff Luck
The ‘depth’ of the ‘surface’, the ‘surface’ of the ‘depth’: Re-visiting Blacking’s theory on structures (T)
Dafni Tragaki, Emilios Tsekenis
Three tunes... one thousand musical phrases. The composition of motives and musical phrases as a tool in Music Education (T)
Nikolas Tsaftaridis, Irini Theodosopoulou
Music –Literature-Ideology: two Composers, one Poem (T)
Georgia-Maria Tserpe, Marialena Karamouzi
Memorization strategies of atonal music (P)
Theodora Tsintzou, Ermis Theodorakis
Visualizing Macrocompositional Dynamics in the Works of Iannis Xenakis (T)
Charles Turner, Marcel Hendrix
Xenakis and Brownian motion: a compositional and analytical exploration (T)
Evaggelia Vagopoulou, Tim Ward
Intrinsic formal functionality: perception of Mozart’s materials (K)
Michel Vallières, Daphne Tan, William Caplin, Joseph Shenker, Stephen McAdams
Musical structure and perception of emotion: a cross-cultural study (T)
Kyriaki Zacharopoulou, Athanasia D. Kyriakidou