International Review Panel

• Anna Rita Addessi, Dept of Music and Performing Arts, University of Bologna, Italy
• Sven Ahlbäck, Royal College of Music, Stockholm, Sweden
• Eckart Altenmüller, University of Music and Drama, Hanover, Germany
• Simha Arom, Centre National de la Recherche Scientifique (CNRS), France
• Gérard Assayag, IRCAM, Paris, France
• Amanda Bayley, University of Wolverhampton, UK
• Emmanuel Bigand, LEAD CNRS, Université de Bourgogne, France
• Gianmario Borio, Facoltà di Musicologia , Université di Pavia, Italy
• Julie Brown, Department of Music, Royal Holloway, University of London, UK
• Eugenia Costa-Giomi, School of Music, University of Texas, Austin, USA
• Irène Deliège, Université de Liège, Belgium
• Nicola Dibben, Department of Music, University of Sheffield, UK
• Anders Friberg, Department of Speech, Music and Hearing, Royal Institute of Technology (KTH), Stockholm, Sweden
• Benoit Gibson, Department of Music, University of Evora, Portugal
• Marta Grabocz, Département de Musique , Université Marc Bloch-Strasbourg 2, France
• Gerd Grupe, Institut für Musikethnologie, Universität für Musik und darstellende Kunst, Graz, Austria
• Xavier Hascher, Département de Musique, Université Marc Bloch-Strasbourg 2, France
• Henry Klumpenhouwer, Music Department, University of Alberta, Canada
• Alan Marsden, Lancaster Institute for the Contemporary Arts, Lancaster University, UK
• Raymond Monelle, School of Arts, Culture and Environment, University of Edinurgh, UK
• Peter Nelson, School of Arts, Culture and Environment, University of Edinburgh, UK
• John Rink, Department of Music, Royal Holloway, University of London, UK
• Jean-Claude Risset, Laboratoire de Mécanique et d'Acoustique, CNRS, Marseille, France
• Eleanor Selfridge-Field, Center for Computer-Assisted Research in the Humanities, Stanford University, California, USA
• Barbara Tillmann, CNRS-UMR5020, Université Claude Bernard Lyon 1, France
• Petri Toiviainen, Department of Music, University of Jyväskylä, Finland
• Lawrence Zbikowski, Department of Music, University of Chicago, USA
  

Local Academic Advisory Board

• Maria Alexandrou, Dept. of Music Studies, Aristotle University of Thessaloniki
• Christina Anagnostopoulou, Dept. of Music Studies, University of Athens
• Anastasia Georgaki, Dept. of Music Studies, University of Athens
• Georgios Fitsioris, Dept. of Music Studies, University of Athens
• Pavlos Kavouras, Dept. of Music Studies, University of Athens
• Eleni Lapidaki, Dept. of Music Studies, Aristotle University of Thessaloniki
• Theodore Lotis, Dept. of Music Studies, Ionian University
• Evie Nika-Sampson, Dept. of Music Studies, Aristotle University of Thessaloniki
• Georgios Papadelis, Dept. of Music Studies, Aristotle University of Thessaloniki
• Costas Pastiadis, Dept. of Music Studies, Aristotle University of Thessaloniki
• Anastasia Siopsi, Dept. of Music Studies, Ionian University
• Danae Stephanou, Dept. of Music Studies, Aristotle University of Thessaloniki
• Haralambos Spyridis, Dept. of Music Studies, University of Athens
• Panayotis Vlagopoulos, Dept. of Music Studies, Ionian University
• Haris Xanthoudakis, Dept. of Music Studies, Ionian University
• Demetre Yannou, Dept. of Music Studies, Aristotle University of Thessaloniki
• Nikos Zafranas, Dept. of Music Studies, Aristotle University of Thessaloniki
• Athanasios Zervas, Dept. of Musical Science and Art, University of Macedonia
• Georgios Zervos, Dept. of Music Studies, University of Athens

Support team

The support team will consist mainly of local musicology students. Support team members will be available throughout the conference to answer questions, solve unexpected problems and generally make sure that things run smoothly. Each member of the support team will be on duty for about half of the conference. In exchange they will receive a complete participant's pack, access to all conference events, and food. Students who wish to participate should contact the Costas Tsougras and register for the conference by 29 February 2008.